目录
v4.2.14

这几张——你应该能认出来。

布达拉宫?等等……这云层下的是……盘古?

这角度也太绝了……你不会是爬上什么山崖拍的吧?

没有,我只是站在一块废弃观测台上。去年暑假我特意去追它——一号云虫盘古,按预测轨迹一路骑行进了藏南。

骑行西藏,还追着“盘古”拍照片……你的人生也太精彩了吧。

我这样的人,也值得你这高材生羡慕?

值得,非常值得。你是用……胶卷拍的?

就用这个。

这相机还真适合你。你是不是故意活得像从九十年代穿越来的?

胶片洗出来那种灰调子,是数码永远做不出来的。

可离云虫这么近的地方……不都应该划入禁区了么?

你果然是个乖学生。云虫穿过城市时才会设禁区,荒郊野岭的,谁来管?

你每次都……一个人吗?

那你希望我每次都是一个人吗?

我……

别乱猜了,还有谁愿意陪我做这种傻事。

来,这张是我压箱底的,你肯定感兴趣。

好模糊……两个人影?长焦拍的?等等……

你拍到——云中人了?!

你确定?

不然呢?这比例,这位置,人影明明就在云虫表面——你怎么拍到的?

那次云虫经过雅鲁藏布江,我在河谷对岸守了一整晚。凌晨五点拍到的。

那时候我也想再靠近一点。但那地方……安静得有点奇怪。

没有鸟叫,没有风,只有低频的嗡鸣,像在耳膜里盘旋。你会不自觉地想后退,像是有一双陌生的眼睛正盯着你看。更诡异的是,我回来之后发现整卷胶片都曝光了,唯独这一张没事。

你不怕吗?一个人在荒郊野外,杳无人烟,巨大的云虫,诡异的人影……

我也不知道为什么,那些孤独、荒凉、无人回应的地方……反而让我安心。

我喜欢云虫。庞大,沉默,孤独,俯瞰众生,却从不靠近。——它太美了。像一位沉睡千年的古神,梦醒时却发现,世上早已没人记得它的名字。

……你真是疯了。

「她笑了,笑里带着一点不动声色的挑衅,像一只知道自己已经绕开规则的猫,懒懒地看着还在规规矩矩做题的人。光线斜斜落下,照亮她眼尾一丝似有若无的弯。」

你不是说我像九十年代来的嘛,那会儿的小孩都爱往野外跑。

可那时候没人是追着云虫跑。

他们都笑了,笑声短促,在落地窗透进的金光里轻轻散开。

月牙儿撑着下巴,指尖轻敲地面,眼神却飘向一旁,仿佛对自己的古怪执念毫无歉意,甚至有些得意。

希扬低头看了看那张仍握在手中的照片,手指不自觉地沿着边缘抚过一圈。

这张照片,你有没有发到过网上?

没有。你是第一个看到的。

——所以,你相信世界上真的有“云中人”吗?

我信。从古代壁画到中世纪书稿,各文明在不同年代都记载过相似的身影,不可能是巧合。

我也觉得。我读《断代史》的时候,看到有人把“锥中之人”解释为云中人。我国春秋时期就有关于“云中人”的童谣。而相机这种东西,也不过才发明了一百多年。可也有人说,那只是当时的人在描述异象。

对,上世纪末,一个北欧极限运动员用跳伞方式登陆云虫,带回的画面显示它表面完全无缝,连尘屑都撬不下来。也没发现任何生命迹象。

我记得那件事。他说,云虫就像一个完整的、闭合的机器。

古代人见到他们,说是神。中世纪人叫他们“云使”或“光之灵”。而现代人,只会说“云中人”不过是电磁异常引发的大气蜃景。科技越进步,我们的想象力反而越贫瘠。

希扬抬头望了一眼对面的墙。

那张被图钉固定的文明时间轴图在夕阳下微微翘起边角,纸面泛黄。

他走过去,伸手把它从墙上揭了下来,铺在地面上——

红点密布,如流星划过史册。

这是我标注过的史料中云中人目击记录。你看这些红点密集区域,分布得很有意思——东周战国末年、东汉末期、罗马从共和国转向帝国的时期、还有孔雀帝国解体前后、泰西封被破萨珊帝国覆灭的时期,还有欧洲一战二战的时候……

听起来,都是战争时期?

也不全是。唐朝贞观年间、罗马的五贤帝时期也有很多记录,那些可是黄金时代。

那可能只是幸存者偏差。盛世乱世,人们都更有理由把“神迹”记下来。


摊开的图纸在风中微微颤动,像一场被搁浅的预言。太阳已西沉,窗外的城市浸入薄暮。某个尚未被证实的真相,正悄悄在两人之间张开暗影。

如果一切都归因于“偏差”,那史学和科学还有存在的意义吗?

那你看到什么规律了?

这些光明与黑暗并存的时代……无一不是人类文明剧烈变动的临界点。

那「他们」是来见证的,还是来推动的?

这才是我想知道的。

沉默片刻,他手指轻轻敲了敲图纸边角,像是在数数上面那些散落的红点

你觉得,如果我们是历史的一部分……会被谁在图上点一个红点?

你希望有人记得你吗?

他没答,只是静静地坐在文明的余晖里。

时间的脉络以奇异的方式延展,交错的线条从脚下蔓延至四壁,像蛛网,又像命运的经纬。密集的红点在纸上微微发亮,记录着那些回荡虫鸣的年代。

这一刻,他们像两粒悬空的灰尘,在时间的巨网中,等待下一次古神的低鸣。

「幽幽虫鸣,

何知我心,

云中之人,

在水之滨。

哀哀虫鸣,

何虑我行,

锥中之人,

在云之顶。」

——春秋 佚名

這幾張——你應該能認出來。

布達拉宮?等等……這雲層下的是……盤古?

這角度也太絕了……你不會是爬上什麼山崖拍的吧?

沒有,我只是站在一塊廢棄觀測臺上。去年暑假我特意去追它——一號雲蟲盤古,按預測軌跡一路騎行進了藏南。

騎行西藏,還追着“盤古”拍照片……你的人生也太精彩了吧。

我這樣的人,也值得你這高材生羨慕?

值得,非常值得。你是用……膠捲拍的?

就用這個。

這相機還真適合你。你是不是故意活得像從九十年代穿越來的?

膠片洗出來那種灰調子,是數碼永遠做不出來的。

可離雲蟲這麼近的地方……不都應該劃入禁區了麼?

你果然是個乖學生。雲蟲穿過城市時纔會設禁區,荒郊野嶺的,誰來管?

你每次都……一個人嗎?

那你希望我每次都是一個人嗎?

我……

別亂猜了,還有誰願意陪我做這種傻事。

來,這張是我壓箱底的,你肯定感興趣。

好模糊……兩個人影?長焦拍的?等等……

你拍到——雲中人了?!

你確定?

不然呢?這比例,這位置,人影明明就在雲蟲表面——你怎麼拍到的?

那次雲蟲經過雅魯藏布江,我在河谷對岸守了一整晚。凌晨五點拍到的。

那時候我也想再靠近一點。但那地方……安靜得有點奇怪。

沒有鳥叫,沒有風,只有低頻的嗡鳴,像在耳膜裏盤旋。你會不自覺地想後退,像是有一雙陌生的眼睛正盯着你看。更詭異的是,我回來之後發現整卷膠片都曝光了,唯獨這一張沒事。

你不怕嗎?一個人在荒郊野外,杳無人煙,巨大的雲蟲,詭異的人影……

我也不知道爲什麼,那些孤獨、荒涼、無人回應的地方……反而讓我安心。

我喜歡雲蟲。龐大,沉默,孤獨,俯瞰衆生,卻從不靠近。——它太美了。像一位沉睡千年的古神,夢醒時卻發現,世上早已沒人記得它的名字。

……你真是瘋了。

「她笑了,笑裏帶着一點不動聲色的挑釁,像一隻知道自己已經繞開規則的貓,懶懶地看着還在規規矩矩做題的人。光線斜斜落下,照亮她眼尾一絲似有若無的彎。」

你不是說我像九十年代來的嘛,那會兒的小孩都愛往野外跑。

可那時候沒人是追着雲蟲跑。

他們都笑了,笑聲短促,在落地窗透進的金光裏輕輕散開。

月牙兒撐着下巴,指尖輕敲地面,眼神卻飄向一旁,彷彿對自己的古怪執念毫無歉意,甚至有些得意。

希揚低頭看了看那張仍握在手中的照片,手指不自覺地沿着邊緣撫過一圈。

這張照片,你有沒有發到過網上?

沒有。你是第一個看到的。

——所以,你相信世界上真的有“雲中人”嗎?

我信。從古代壁畫到中世紀書稿,各文明在不同年代都記載過相似的身影,不可能是巧合。

我也覺得。我讀《斷代史》的時候,看到有人把“錐中之人”解釋爲雲中人。我國春秋時期就有關於“雲中人”的童謠。而相機這種東西,也不過才發明了一百多年。可也有人說,那只是當時的人在描述異象。

對,上世紀末,一個北歐極限運動員用跳傘方式登陸雲蟲,帶回的畫面顯示它表面完全無縫,連塵屑都撬不下來。也沒發現任何生命跡象。

我記得那件事。他說,雲蟲就像一個完整的、閉合的機器。

古代人見到他們,說是神。中世紀人叫他們“雲使”或“光之靈”。而現代人,只會說“雲中人”不過是電磁異常引發的大氣蜃景。科技越進步,我們的想象力反而越貧瘠。

希揚抬頭望了一眼對面的牆。

那張被圖釘固定的文明時間軸圖在夕陽下微微翹起邊角,紙面泛黃。

他走過去,伸手把它從牆上揭了下來,鋪在地面上——

紅點密佈,如流星劃過史冊。

這是我標註過的史料中雲中人目擊記錄。你看這些紅點密集區域,分佈得很有意思——東周戰國末年、東漢末期、羅馬從共和國轉向帝國的時期、還有孔雀帝國解體前後、泰西封被破薩珊帝國覆滅的時期,還有歐洲一戰二戰的時候……

聽起來,都是戰爭時期?

也不全是。唐朝貞觀年間、羅馬的五賢帝時期也有很多記錄,那些可是黃金時代。

那可能只是倖存者偏差。盛世亂世,人們都更有理由把“神蹟”記下來。


攤開的圖紙在風中微微顫動,像一場被擱淺的預言。太陽已西沉,窗外的城市浸入薄暮。某個尚未被證實的真相,正悄悄在兩人之間張開暗影。

如果一切都歸因於“偏差”,那史學和科學還有存在的意義嗎?

那你看到什麼規律了?

這些光明與黑暗並存的時代……無一不是人類文明劇烈變動的臨界點。

那「他們」是來見證的,還是來推動的?

這纔是我想知道的。

沉默片刻,他手指輕輕敲了敲圖紙邊角,像是在數數上面那些散落的紅點

你覺得,如果我們是歷史的一部分……會被誰在圖上點一個紅點?

你希望有人記得你嗎?

他沒答,只是靜靜地坐在文明的餘暉裏。

時間的脈絡以奇異的方式延展,交錯的線條從腳下蔓延至四壁,像蛛網,又像命運的經緯。密集的紅點在紙上微微發亮,記錄着那些迴盪蟲鳴的年代。

這一刻,他們像兩粒懸空的灰塵,在時間的巨網中,等待下一次古神的低鳴。

「幽幽蟲鳴,

何知我心,

雲中之人,

在水之濱。

哀哀蟲鳴,

何慮我行,

錐中之人,

在雲之頂。」

——春秋 佚名

These photos—you should recognize them.

The Potala Palace? Wait... under that cloud layer... is that Pangu?

This angle is insane. Don’t tell me you climbed some cliff to shoot this?

Nope. I was just standing on a derelict observation deck. Last summer I followed it—CloudInsect No. 1, “Pangu.” Rode all the way into southern Tibet along its predicted path.

You biked through Tibet, chasing Pangu for photos... Your life is unreal.

And someone like me is worthy of admiration from a top student like you?

Absolutely. Totally worth it. Did you shoot this on... film?

Yeah. With this.

It suits you. You sure you're not a time traveler from the ’90s?

Film develops this grayish tone that digital can never replicate.

But places that close to a CloudInsect... aren't they restricted zones?

Spoken like a true model student. They only set up restricted zones when the insects pass through cities. In the wilderness—no one cares.

Do you always... go alone?

Would you prefer I always go alone?

I...

Don't overthink it. Who else would be crazy enough to do this with me?

Here—this one’s my favorite. I’ve never shown it to anyone. I think you’ll be interested.

It’s blurry... two figures? Shot with a telephoto lens? Wait—

You captured a Cloud Dweller?!

Are you sure?

What else could it be? The scale, the position... those figures are clearly on the surface of the CloudInsect.

How did you even take this?

That time the CloudInsect passed over the Yarlung Tsangpo River, I waited overnight on the opposite bank. Took the shot at 5 a.m.

I wanted to get closer, but the place was... unnaturally silent. No birds, no wind—just this low-frequency hum circling inside my ears. You feel this instinctive urge to step back, like something unseen is watching you.

Stranger still—when I came back, the entire roll of film was overexposed... except this one.

Weren’t you scared? Alone, in the middle of nowhere—no one around. A colossal CloudInsect, and those... strange figures?

I don’t know why, but places that are lonely, desolate, and unanswered... they actually calm me. I like the CloudInsects. Vast, silent, solitary—looking down on all life, yet never drawing near.

They’re beautiful. Like an ancient god who slumbered for a thousand years, only to awaken and find that no one remembers its name.

...You’re insane.

She smiled, a subtle, unreadable provocation in her eyes—like a cat who knows it’s already slipped past the rules, lazily watching others still stuck playing by them. The afternoon light angled in, catching the faintest curve at the corner of her eye.

Didn’t you say I looked like I came from the ’90s? Back then, kids loved running into the wild.

Sure, but none of them were chasing CloudInsects.

They both laughed—a brief sound, scattering softly in the golden light pouring through the floor-to-ceiling windows.

Mahina rested her chin on one hand, fingertips tapping the ground idly. Her gaze drifted sideways, unapologetic—perhaps even a little proud—about her strange obsession. Suvan lowered his eyes to the photo still in his hand, his fingers unconsciously tracing its edges.

Did you ever post this online?

No.

You’re the first person to see it.

—So, do you believe Cloud Dwellers really exist?

I do. From ancient murals to medieval manuscripts, civilizations across time have recorded similar figures. It can’t be coincidence.

I think so too.

I was reading Chronicle of Eras once—someone interpreted the term “The Figure in the Cone” as referring to Cloud Dwellers.

There’s even a nursery rhyme from our Spring and Autumn period that mentions them. And film cameras? They've only existed for a little over a century. Some say the ancients were just describing natural phenomena.

Right. At the end of the last century, there was that Nordic extreme athlete—he parachuted onto a CloudInsect. The footage he brought back showed a seamless surface, no dust, nothing to scrape off. No signs of life at all.

I remember that. He said the CloudInsect felt like a complete, sealed machine.

Ancient people saw them and called them gods.

Medieval folks called them “Cloud Messengers” or “Spirits of Light.”

And modern science? It reduces them to optical illusions—atmospheric mirages caused by electromagnetic anomalies.

The more advanced we become, the poorer our imagination gets.

Suvan looked up at the wall across from them.

The civilizational timeline pinned there curled slightly at the corners in the fading light.

He walked over, unpinned it, and spread it across the floor.

Red dots covered the sheet—like shooting stars strewn across the pages of history.

These are recorded sightings of Cloud Dwellers I’ve compiled. See these dense clusters of red? The late Eastern Zhou, during the Warring States period; the late Eastern Han, the fall of the Roman Republic, the disintegration of the Maurya Empire, the fall of Ctesiphon and the Sasanian Empire, both World Wars in Europe…

Sounds like they all happened during times of war.

Not all.

There were also many records during golden ages—like the Zhenguan era of the Tang Dynasty, or the Five Good Emperors period of Rome.

Maybe that’s just survivorship bias.

In both peace and chaos, people are more inclined to write down what they see as “miracles.”


The open map trembled lightly in the wind, like a stranded prophecy.

The sun had sunk low; outside, the city was soaking in dusk.

Some truth, not yet proven, quietly unfolded in the space between them.

If everything can be written off as “bias,” then what’s the point of history or science?

So... what pattern have you seen?

All those ages—both bright and dark—

Every one of them marked a turning point in human civilization.

Do you think “they” came to witness... or to intervene?

That’s what I want to know.

He fell silent. Then lightly tapped the edge of the map with his finger, as if counting the scattered red dots.

Do you think... if we’re part of history too...

someone will mark us with a red dot?

Do you want someone to remember you?

He didn’t reply.

He simply sat there, quiet, in the fading glow of civilization.

The lines of time extended outward in strange directions, crossing underfoot and creeping up the walls like circuit traces—or perhaps strands of fate.

In the slanting light, the red dots glowed faintly, each one a whisper of a time when CloudInsects had passed and the world had trembled.

At that moment, they were like two drifting specks caught in the great web of time—waiting for the next low hum of the ancient god to echo through the world once more.

Who knows my heart?

The Cloud Dweller,

By the water’s edge.

Mournful the hum of the insect,

Why fear where I go?

The One in the Cone,

—Anonymous, Spring and Autumn Period

Chapter Two – The Cloud Dwellers